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Ru kiln porcelains in major museums around the world have no decorative patterns
明朝開國功臣軍事大元帥陳秀甫家族祖傳的傳世汝窯瓷器有精美紋飾圖案
The Ru kiln porcelains handed down from the ancestors of the Chen Xiufu family, who was the founding hero and military marshal of the Ming Dynasty, have exquisite decorative patterns.
北宋汝窯天青釉刻劃印花五爪龍吐珠十二梅花紋折沿盤
Northern Song Dynasty Ru Kiln Sky-green glazed inscribed and printed Five-clawed Dragon Spit Bead and Twelve Plum Patterns Folding Edge Plate
北宋汝窯天青釉刻劃印花鳳紋盤
Northern Song Dynasty Ru Kiln Sky-green glazed inscribed and printed Phoenix Pattern Dish
北宋汝窯天青釉刻劃印花虎紋盤
Northern Song Dynasty Ru Kiln Sky-green glazed inscribed and printed Tiger Pattern Dish
北京故宮博物院藏北宋汝窯淡天青釉盤
Northern Song Dynasty Ru Kiln light Sky-green glazed plate in the Beijing Palace Museum
大英博物館藏北宋汝窯瓷器
Northern Song Dynasty Ru Kiln wares in the British Museum
The Royal Craftsmanship Dragon Patterns on the Northern Song Dynasty Jade Carved "Dragon Pattern Plate" and "Jade Plaque composing a jade case with Dragon Pattern Inlays", in the National Palace Museum, Taipei, Taiwan, Republic of China.
As far as the dragon pattern on each porcelain plate is concerned, they are similar to the following " (1) the dragon pattern on the Jade plate with dragon pattern Song to Liao dynasty (907 - 1279 C.E.)", and " (2) the dragon pattern on the Jade plaque composing a jade case, made in the first year (1008 C.E.) of Xiangfu of Emperor Zhenzong reign, Northern Song dynasty", both above are in the collection of the National Palace Museum, Taipei, Taiwan, Republic of China. In comparison, both of each pair are similar, so it is inferred that these dragon-patterned porcelain plates should be the works of Ru Imperial kiln in the Northern Song Dynasty.
Jade plate with dragon pattern, Song to Liao dynasty (907 - 1279 C.E.), in the collection of the National Palace Museum, Taipei, Taiwan, Republic of China.
Unified number of cultural relics: NPM Jade 002251N000000000
As far as the pattern is concerned, such a strong and vigorous dragon pattern is similar to the dragon pattern on the inlay on the jade chamber attached to the "Emperor Zhenzong Jade Plaque composing a jade case of the Northern Song Dynasty", so it is inferred that this plate should belong to the first half of the 11th century, the work of the Liao or Northern Song Dynasties.
A celadon-glazed printed porcelain box with dragon pattern, late Northern Song Dynasty, unearthed in Area I of Ru Imperial Kiln Site of Qingliang Temple in 1989
This porcelain plate was full-glazed and burned with supporting-nails, five supporting-nail marks, incense-ash-like-earth-yellow-greyish porcelain body, sky-green glaze, broken-ice-cracking-like cracking-patterns, jade-like smoothness, and five sesame-like supporting-nail marks can be seen on the bottom of the utensil, the marks are very shallow, their sizes are such as sesames.
The dragon pattern on the porcelain plate has several "black spots of ancient porcelain flaws", the dragon pattern lines "are all handmade and also show asymmetry between the left and right", and the twelve plum patterns "are different in size, gap, width, and depth, which were obviously formed by hand-carving", there are "marks of agate mixed in the glaze and polyglaze" on both side walls of the bottom ring foot, and an obvious "brown-eye-small-hole" which is an ancient porcelain flaw, on the inner edge line of the folding mouth edge. It was fully glazed with ancient wood-fired air bubbles and broken-ice-cracking-like cracking-patterns. The bottom ring foot is slightly slanted outward.
The porcelain body of this handed down Ru kiln porcelain in the Northern Song Dynasty has three characteristics:
The first is “light and thinness”.
The second is that the porcelain fetal color is incense-ash-like-earth-yellow-greyish, the porcelain fetal bone is light and thin, and the fetal quality seems to be rough but fine. The color of Ru porcelain body is light-gray and gray-white, because its color is similar to the incense ash formed after burning incense, so it is commonly known as "incense gray porcelain body".
The third is that the texture of Ru porcelain is delicate and smooth, firm and compact, and is known as "bronze bone". In addition, people who have come into contact with the handed down Ru porcelain often describe it as "sound like a chime (a musical stone)", which to a certain extent also shows the lightness and compactness of the Ru porcelain body.
In addition, the bottom of the utensil is slightly uneven under the light. Because when the water in the middle of the porcelain mud body was not dry yet and meanwhile the molded mud body was slightly turned left and right to be broken away from the sticking mud mold. So long as the porcelain kiln workers in the Northern Song Dynasty took the above procedure, then the uneven bottom would have been formed. Modern imitations are completely unable to produce slightly uneven bottoms.
Professionals in the modern museums, collectors, connoisseurs, scholars, experts, and so on, because they are all not the Emperor Song Huizong of the Northern Song Dynasty himself, so obviously they have regarded their own taste of being the common people, as the same favorite that should belonged to the Emperor Song Huizong in the Northern Song Dynasty. They generally believed that more than 80 pieces of Ru kiln porcelain handed down on the market should be the personal royal Ru Imperial kiln porcelain wares of the Northern Song Emperor Song Huizong. Do you think it is possible?
The handed down collection from the family ancestor of Chen Xiufu, a military marshal who was assigned by the Ming Emperor Zhu Yuanzhang (Zhu Yuanzhang defeated the Eurasian Empire of the Mongolian Yuan Dynasty), (Chen Xiufu was also the founding hero of the Ming Dynasty, whose official name was Guangludafu, "Guangludafu was the rich and wealthy capitalist of food and money supplied for the emperor's nation-founding and military operations.").
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